To request ADA seating: Please send us an email at boxoffice@thechapelsf.com or call our box office at (415) 551-5157 and we can assist you. Our ADA area can reach capacity early, so we highly recommend contacting us as soon as possible. Day of show requests may not be able to be accommodated.
Dine with us at Curio and receive Expedited Entry into The Chapel! When you kick off your evening with dinner and drinks at Curio, we will check your tickets at your table and you will avoid the line outside. Be sure you tell us you're coming to the show when you make your reservation and upon arrival to the restaurant. Reserve HERE.
$45 Advance / $50 Day Of Show
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Sister Nancy (Ophlin Russell) broke ground as Jamaica’s first internationally recognized female dancehall deejay. Her 1982 hit “Bam Bam,” recorded at Channel One Studios and released on Winston Riley’s Techniques label, sits atop the Stalag riddim, a groove as eternal as reggae itself.
The chant “bam bam” dates back to Toots & The Maytals (1966), connecting Nancy’s version to a deeper Jamaican lineage of rhythmic call-and-response. Her interpretation, however, is wholly her own: fierce, confident, and declarative.
Born Ophlin Russell on January 2, 1962, in Kingston, Jamaica, Sister Nancy grew up in a large family of fifteen children in a deeply religious home where her father was a revivalist pastor. Despite the conservative environment, music called to her early. Inspired by her older brother, Brigadier Jerry, one of Jamaica’s most respected deejays, she began performing on local sound systems as a teenager, including Jah Love and later Stereophonic alongside General Echo. In a time when the dancehall scene was almost entirely male, she broke barriers by grabbing the mic and commanding the crowd with confidence, wit, and rhythm. Her first single, Papa Dean, was produced by Winston Riley of the Techniques label in 1980, marking the start of a new era for female voices in reggae.
Two years later, her debut album One Two (1982) made history with the track Bam Bam, recorded over the legendary Stalag 17 riddim. The song’s infectious groove and bold lyrics became a worldwide anthem, later sampled hundreds of times across hip-hop and pop — from Lauryn Hill to Jay-Z. Though she received no royalties for decades, Sister Nancy’s perseverance and eventual legal victory symbolized a reclaiming of artistic ownership. Now celebrated as the first woman to rise in the male-dominated dancehall world, she stands as a cultural icon whose voice and message continue to echo through generations of reggae and beyond.
