To request ADA seating: Please send us an email at boxoffice@thechapelsf.com or call our box office at (415) 551-5157 and we can assist you. Our ADA area can reach capacity early, so we highly recommend contacting us as soon as possible. Day of show requests may not be able to be accommodated.
$25 Advance / $30 Day Of Show
Few artists embody the contradictions and possibilities of Los Angeles like Geneva Jacuzzi (née Garvin). A pioneer of lo-fi pop, her work spans art, music, performance, and theater, simultaneously championed by underground DIY venues and galleries as well as prestigious institutions like MOCA, The Broad, and The Getty. Across two decades of activity, Jacuzzi has toured her surrealist strain of theatrical synth-pop and staged dada exploratory installations around the world.
Geneva’s recorded output starts with the cult pop phenomenon of 2010’s Lamaze, itself a full-length pressing of analog 4-track and 8-track recordings spanning 2004 up to 2009. Lamaze proved to be a coveted collection of Geneva's early explorations with electronic pop; one that messed with formats, and included instrumentals plus various vocal interludes (later to be reissued by Mexican Summer in 2021). Lamaze was followed by 2016’s sleek retro-futurist odyssey Technophelia, before Jacuzzi signed with bi-coastal powerhouse Dais Records for her third full-length, 2024’s Triple Fire. A 12-track hit parade of wildcard electronic pop and clever post-apocalyptic camp, the album crystallizes her mastery of new wave melody and disco aerobics, alternately freaky, glamorous, nihilistic, and romantic. A woman of a thousand masks, and the Queen of the Underground, Geneva Jacuzzi stands poised to continue shape-shifting her kaleidoscopic spectacle far into the 21st century.
EX-HEIR delivers raw industrial/electroclash sonic novelties. Call 1-800–BODY-SERVICE or show up to your local venue for more details.
Diesel Dudes was formed in Oakland, California in 2010, fusing an energetic blend of EBM basslines, careening Electro synths and the sturm and drang absorbed from the Bay Area punk scene. Over a brutal 16 year period, this dense duo has sporadically released bursts of "Sweaty, Hyper Roman Electro Punk For You to Hear While Your Body is Growing Stronger" as well as touring the US, Canada, Mexico and Europe- sharing stages with legends such as D.A.F. and Devo. Described by filmmaker John Waters as "big, strong, and totally wrong" their songs are odes to automobiles, lullabies to laborers, and ballads for beasts. Every show is a writhing mass of audience members completing mandatory pushups as the world's loudest muscle music spurs them on to temporary greatness as one unit, united in agony and ecstasy.
California born and based DJ, Nick Moss, was formerly an integral member and creative contributor of Kosmetik, a music collective rooted in the vibrant underground queer music scene of San Francisco. Prior to the pandemic, the collective maintained a longstanding weekly residency at the iconic venue, The Stud, spanning multiple consecutive years. Additionally, Nick played a pivotal role as one of the co-conspirators behind Kosmetik's pandemic-induced A/V mix series, KTV, which enjoyed a year-long broadcast on the esteemed Fault Radio in the Bay Area. Currently, Nick directs his efforts towards co-producing Quiche, an open-air dance party that made its debut on the San Francisco scene in 2021. He also produces a monthly happy hour listening party, Aperitivo, at the Lookout in SF.
Nick’s selections span across countless genres, ranging from darker techno, electro, and wave, to energetic house, disco, and Italo. His unconventional blending of experimental and left-field genres takes listeners on an unexpected journey through infinite landscapes. There is an intriguing and almost mysterious quality to his unique and esoteric sound. His sets demands attention, leaving an indelible impression that lingers in the shadows of the mind.
