To request ADA seating: Please send us an email at boxoffice@thechapelsf.com or call our box office at (415) 551-5157 and we can assist you. Our ADA area can reach capacity early, so we highly recommend contacting us as soon as possible. Day of show requests may not be able to be accommodated.
Dine with us at Curio and receive Expedited Entry into The Chapel! When you kick off your evening with dinner and drinks at Curio, we will check your tickets at your table and you will avoid the line outside. Be sure you tell us you're coming to the show when you make your reservation and upon arrival to the restaurant. Reserve HERE.
$26 Advance / $29 Day Of Show
Website | Spotify | YouTube | Instagram
After vaulting to fame as a founding member of the beloved indie pop collective Belle & Sebastian, Isobel Campbell has enjoyed success as a solo artist, recording lush and elegiac chamber pop under her given name, under the moniker the Gentle Waves, and with longstanding duet partner Mark Lanegan.
On 1998's The Boy with the Arab Strap, Campbell delivered her first lead vocal, "Is It Wicked Not to Care?" With her ethereal voice and striking, Jean Seberg-inspired looks, it was inevitable that she earned much attention from fans and media alike, and in the spring of 1999 she released her first full-length solo project, the Gentle Waves' The Green Fields of Foreverland.... A second and final Gentle Waves release, Swansong for You, followed a year later, but Campbell nevertheless remained a full-time member of Belle & Sebastian through mid-2002, co-writing the Top 20 U.K. hit "Legal Man" before finally exiting just prior to the release of Ghost of Yesterday, a collection of Billie Holiday covers recorded in collaboration with jazz musician Bill Wells.
After 2003's Amorino, Campbell kept a low profile for several years, finally resurfacing in the spring of 2006 with Ballad of the Broken Seas, a collection of duets with former Screaming Trees frontman Mark Lanegan. The two again collaborated on 2008's Sunday at Devil Dirt and 2010's Hawk. Isobel's studio album, titled There Is No Other, was released in 2020, and Bow to Love followed in 2024.
Since their 2004 self-titled debut, Pink Mountaintops have supplied an outlet for the more arcane fascinations of Black Mountain frontman Stephen McBean. On Peacock Pools—Pink Mountaintops’ first new music in eight years—the British Columbia-born singer/songwriter/multi-instrumentalist shares 12 songs sparked from his magpie-like curiosity for a wild expanse of cultural artifacts: the sci-fi body horror of David Cronenberg, Disney Read-Along Records from the 1970s, early Pink Floyd and mid-career Gary Numan, John Carpenter movies, Ornette Coleman live videos, a 1991 essay on the cult of bodybuilding by postmodern feminist Camille Paglia. Featuring counterculture icons like Steven McDonald of Redd Kross and Dale Crover of Melvins, Peacock Pools alchemizes those obsessions into a body of work with its own enchanting power, the sonic equivalent of falling down a thousand rabbit holes at once and landing somewhere gloriously strange.
If Black Mountain represents the darker side of singer, songwriter, and multi-instrumentalist Stephen McBean's musical thinking, Pink Mountaintops is a vehicle for his brighter and more engaging ideas. While both bands share McBean's fondness for trippy, psych-infused sounds, Pink Mountaintops avoid the doom-inspired tone of Black Mountain to make room for a wider range of musical influences, matched to lyrics that playfully deal with his various obsessions, from favorite musicians to the edges of teen culture. McBean and his collaborators merged lo-fi production and arrangements with dashes of lysergic Americana on their 2004 self-titled debut and 2006's Axis of Evol. 2014's Get Back filtered McBean's melodic ideas through muscular rock guitars, and 2022's Peacock Pools made room for folk, pop, vintage electronics, and classic rock overtones.
