Fri., 8/21/26
Steve Von Till (Neurosis), 6 Organs of Admittance
w/ special guest Evelyn Davis
8:00pm, $25 adv., $30 door
Steve Von Till (Neurosis)
Steve Von Till is an American musician, songwriter, educator, and poet. He is best known as a singer and guitarist in the highly influential and genre defying collective, Neurosis, which has been credited with changing the face of heavy music over the last 40 years. Since 1999 Von Till has composed and recorded six solo albums of his uniquecombination of gothic Americana, rural psychedelia and neoclassical ambient folk.Under the guise of his alter ego, Harvestman, Von Till has recorded six albums and the film score for the Italian thriller, H2Odio. He oversees the fiercely independent record label, Neurot Recordings, from a pole barn outside his home in the forests of North Idaho where he also teaches elementary school. His first book of poetry, Harvestman, was published in 2021.
His seventh solo LP, Alone in a World of Wounds, arrives on May 16th via Neurot Recordings. Ploughing a different furrow, Alone in a World of Wounds is an album of sweeping gothic tinged Americana, tripped out drones, beautiful world-weary vocal melodies and slowly unfurling cello arrangements. Initially inspired by the harmonic resonance of piano and synths and his long-standing love of ambient music, Alone in a World of Wounds follows 2021’s No Wilderness Deep Enough in reflective ambience. Opening up his voice in ways he has never done before, the album's genesis came via intuitive improvisations.
https://www.vontill.org/
https://www.instagram.com/stevevontill/
6 Organs of Admittance
With Time is Glass, Six Organs of Admittance is captured once again in the intricate tangle of the fretboards, soaring in open skies above. Like lens flare cutting through the speakers; spider-webs cracking the windshield that holds back all the on rushing reality. Blowing the dust away, cutting a new path for cognition. As is always endeavored....
After 20 years of living on the road in different places,Six Organs of Admittance had returned home to Humboldt County—a far country, to some, but still part of the world through which creatures of all kinds are moving through and contributing to. And some of them are human. Alone together—forming connection and exchange out of thought and expression—no different from the people on the other side of the Redwood Curtain. It was there, where Six Organshad long ago emerged, in the name of everything cycling, of circles that spiral concentrically and remain unbroken, the new music was conceived.
In moments, it was as if the future had somehow wrapped around 360 degrees; elsewhere, the systems and patterns inside the writing and recording only became evident later—like a recognition that cumulus and nimbus clouds which passed through the sky the day before contained familiar shapes. Informing the songs accordinglyas he went, Ben picked up on modes both musical and lyrical, threading backward through thetime of Six Organs of Admittance. Almost marinating in it as a way of life. Working on the musicand the vocals, then spending some time with them while stepping away from them. Walking the dog and coming back to them.Time is Glass ismade of that kind of time. Alone time.
Recorded in the visceral environs of home,Time is Glass is sharply focused, even as misty impressionist mountains float through the background. Sweet and spiny, “The Mission” sings its purpose, before turning abruptly to the orchestral rumble of “Hephaestus”: rural industrial psychedelia, ecosystem goth, synths arcing to lift a helplessly earthbound community into the firmament above. Winding almost imperceptibly back into song with “Slip Away”, the time of the record becomes clear, moves fluidly, relaxed but aware,from event to event. People and things coming around again. The intuit, passing through worm-holes and time, sounding deep then dissolving into the universal. The acoustic sounds ringing, layered suddenly, then clear again. Explosions of a new kind of distortion. Ecstatic melodies. Communing. The space of a day. The space of a season.Time is Glass, and Six Organs of Admittance is here and will be here, again.
https://www.sixorgans.com/
https://www.instagram.com/6organs/
Evelyn Davis
Detroit native and general wanderer Evelyn Davis is an inside/prepared/new music pianist, improvisor, pipe organist, composer, vocalist, synthesist, teacher, songstress, and maker of /participator in oddly shaped musics with an occasional side of performance art.
Evelyn plays in Inner Ear Brigade, Lantskap Logic trio with Fred Frith and Phillip Greenlief, and fronts the art rock duo CHIROMANCER.
https://evelyndavismusic.bandcamp.com/
